Showing posts with label Portrait. Show all posts
Showing posts with label Portrait. Show all posts

Friday, 21 October 2011

What Equipment Do I Need to Take a Great Portrait?

!±8± What Equipment Do I Need to Take a Great Portrait?

Under a large portrait is still one of the most important skill to have as a photographer. The need for good photos of people will never go away. Whether for weddings, corporate photography and lifestyle, you will always be the question, if people like the images taken of them. In any case, we want to make a start and look at the camera gear I use.

Fortunately, many of us already have the kit needed to make a portrait fabulous. The kit standard lens that comes bundled with mostdigital cameras should be good enough to get you in the ballpark. When I bought my Canon 5d Mk1, I chose the 24mm to 70mm 2.8 lens as my standard lens. For environmental portraits, (when you take a picture of someone and show some of their surroundings) 50mm is an ideal place to start. It has a very similar viewpoint to what we see with our eyes and so gives us a very natural looking environmental portrait. Be careful not to go too wide, say much below 35mm as the wider angle produces unflattering distortions. The longer end of the zoom range is great for three quarter length/head and shoulder shots. This combined with a wide aperture can separate the subject from the background by throwing the background nicely out of focus.

Although the standard zoom lens is excellent for portraits, most professional photographers prefer something a little longer. I personally use the Canon 100mm 2.8 Macro lens which is out of this world for head shots, the fast aperture blurring the background and the telephoto really flatters the sitter. I think anything above 100mm is too much unless your going for a full length shot and you want that perspective compression effect on the background, say on a tree lined avenue or set of columns.

Probably the most favored of all portrait lenses is the 85mm. Luckily they are pretty affordable for the 1.8 variants, though if your a Canon user the ultimate is the 85mm 1.2. It really is a monster of a lens with a price tag to match. One thing to remember is to adjust the focal lengths if you are on a smaller sensor. The crop factor is normally 1.3 or 1.6. So a 50mm lens becomes a 80mm lens on a camera with a crop factor of 1.6.

Now let us take a look at lighting and exposure. Unlike most other subjects, bright sunshine does not make for flattering portraits. It produces harsh unpleasant shadows and causes the subject to squint. If you must shoot in the midday sun, look for some shade in which to place the subject. It will be a lot easier to get a good shot and the light is far more controllable. One of my favorite techniques is to sit the subject on the ground, a few feet under the branches of a tree. I then place a white reflector on the floor in front of them, this bounces light into the shadows that are typically under the eyes and nose. The light coming in from behind you will give you a lovely catchlight in their eyes and you will get an excellent portrait.

Another popular technique is to place the subject with their back to the sun. This avoid the horrible shadows but you now have another problem, exposure. If the sun is behind the subject the camera can get fooled into underexposing the face. In this scenario I either use spot metering or dial in some exposure compensation, a stop or so should do it.


What Equipment Do I Need to Take a Great Portrait?

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Wednesday, 28 September 2011

Canon Rebel Portrait Lens - Which goal is better for portraits Canon Rebel?

!±8± Canon Rebel Portrait Lens - Which goal is better for portraits Canon Rebel?

Suppose you have only your first DSLR and a Canon Rebel. Now you are a professional, or at least a semi-pro. This is what everyone around you thinks.

And what about pictures? What are the requirements for a portrait lens Canon Rebel?

Each photographer is a portrait photographer at some point. Your family is assumed to have a large portrait shooters. Even more important for them to be as cheap labor.

It 'just a fact. When people see that the monsterCamera, they just assume that you are a professional and you can take any kind of image excellence.

Do not tell them they are just the beginning. Hold the camera against your face and awesome to let you think you are great your chosen hobby.

Here are the two most important things to consider for a decent head shot to maintain.

First, you want to stay away from the subject from any point 6-20 feet. Closer than 6 meters, and you will see some distortion inthe body.

Secondly, you should choose the widest aperture possible as possible, as of f/2.8 / 4 A grand opening will result in a reduced depth of field, which means that the level of focus a few inches (hit the face in the event of a head) in front of and behind the lens of the area is limited. The object of a shallow depth of field is a blurred background.

Choose a goal that can achieve this simply means looking in the camera bag or camera, because you can alreadyhave a good goal.

Your Canon Rebel has a sensor that the lens focal length multiplied by a factor of 1.6. So if you have a 100mm portrait lens Canon, actually taking a picture with an effective focal length of 160mm (which is 100 x 1.6).

A head shot with a photographic surface usually about 3 to 4 feet tall. Taking pictures with a 100 mm lens would be set at about 15 meters from the subject ... perfect.

At a minimum, the focal length could be used to achieve the sameStrike would be a 50 mm lens with you about 6 feet away from the position of the subject. A Canon EF-S 60 mm macro lens will do the job, too, and is made specifically for a rebel.

The perfect portrait lens Canon Rebel could be a longer focal length. In particular, a 70-200mm zoom works very well because of how totally awesome are the pictures. It's actually what many consider the Canon lens "flagship". If you are one of the 70-200mm lenses (and there are five of them now), itdetermined.

However, many photographers think that a fixed focal length of the best portraits (one has only one main lens focal length and not as a zoom) is done. There is no argument that a great head shot with a 100 mm or 135 mm fixed focal length can first be taken. These are excellent lenses. But they are also more expensive than others.

Assuming the budget to play a role in his decision, remember that the focal length can be anywhere between 50 mm and above. It 'really your position (distancethe subject), the prospect of recording, and the quality of the lens, making the shot.

If you are under a lot of portraits, then a high quality lens with the right focal length and the opening will be a good investment. However, if you have no intention of head shots that you want the most important form of photography, you could have a lens that meets your needs for any images that you plan to leave twice as large and a dress Canon lens Rebel Portrait. get


Canon Rebel Portrait Lens - Which goal is better for portraits Canon Rebel?

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